Wed, 09 Aug 2006 05:16:49 GMT


Summary: A jetpak created on Wed, 09 Aug 2006 05:16:49 GMT

note - Wed, 09 Aug 2006 06:52:31 GMT

marian bantjes


From: http://www.designboom.com/contemporary/bantjes_big1.html

note - Wed, 09 Aug 2006 06:44:25 GMT

the upside downs

inversion illusions
the word ‘inversion’ comes from the latin verb ‘invertere’,
which means ’to reverse’ or ‘to flip over’.

ambigrams

---
turn the picture upside down
upside-down optical illusion are quite labile, and can be
cognitively manipulated.
you can decide to ‘make a ceiling into a floor’,
and suddenly see it that way.
‘the neat waiting-maid’ -
this illustration shows a waiter behind what
appears to be a skirted table with two place settings.
the vision turns into another waiter carrying a food tray.
this visual trick utilizes a mirror-image effect to
achieve two distinct pictures.
‘the necker cube’ -
is another figure reversal illusion.
the way you see the orientation of the cube depends
on which vertex you decide is closer.
upside down illusions are often a combination of
both techniques.

---
matchboxes

rightside-up and upside-down faces
are among the most popular optical illustrations in history.
a collection of upside down art adorned match boxes
during the late 19th and early 20th century.
these whimsical images were cleverly drawn so
as to be viewable right side up or upside down.
noses become forehead creases, mustaches
become sweet little curls on a girl's head...

---
upside down comics

every image should not only be reversible on its own,
but should also fit into the story.
gustave verbeck (1867 - 1937) was the son of a
dutch missionary in tokyo. he grew up in japan and
studied arts in paris. he moved to the united states
(where his name was misspelled as ‘verbeek’ by an
immigration officer. he continued using both names).
he worked as a cartoonist, illustrator and painter,
he's remembered for his incredible upside-down
cartoons (he made a total of 64).
‘the upside downs of little lady lovekins
and old man muffaroo’ series appeared in the
new york herald from 1903 to 1905.

---
‘the margaret thatcher illusion’
originally presented in thompson, p. (1980)
‘margaret thatcher: a new illusion.’ perception.
although the two downside images may look a bit
different, neither should seem too odd.
when you flip them vertically you can see the faces
right side up... a surprising effect!
the illusion illustrates the fact that rightside-up and
upside-down faces are processed differently,
which some people take as evidence that parts of our
brain are specialized for (normal, rightside-up)
face perception.


From: http://www.designboom.com/history/inversionimages.html

note - Wed, 09 Aug 2006 05:19:53 GMT

Michael Abbink’s new FF Milo™ was created for text. It has all the right ingredients to make everything from body copy to small print beautifully readable. Taste test the Book weight for free.

Download FF Milo Book »

From: http://www.fontshop.com/virtual/newsletters/aug2006_a/?utm_source=Aug2006NewsA&utm_medium=email&utm_content=ViewInBrowser&utm_term=em&utm_campaign=Aug2006

Free Milo book

Free Milo book

Summary: Free Milo book
From: http://www.fontshop.com/virtual/newsletters/aug2006_a/?utm_source=Aug2006NewsA&utm_medium=email&utm_content=ViewInBrowser&utm_term=em&utm_campaign=Aug2006

note - Wed, 09 Aug 2006 05:19:45 GMT

To achieve an old world flavor for its all-natural goods, Fantastic® opted for a font with a pre-digital pedigree: Handel Oldstyle™. The logo is built with lettering in a style similar to Manifesto™, Gagarin™, and FF Gothic™.


From: http://www.fontshop.com/virtual/newsletters/aug2006_a/?utm_source=Aug2006NewsA&utm_medium=email&utm_content=ViewInBrowser&utm_term=em&utm_campaign=Aug2006

Fantastic package

Fantastic package

Summary: Fantastic package
From: http://www.fontshop.com/virtual/newsletters/aug2006_a/?utm_source=Aug2006NewsA&utm_medium=email&utm_content=ViewInBrowser&utm_term=em&utm_campaign=Aug2006

note - Wed, 09 Aug 2006 05:19:37 GMT

Despite aficionado magazines, winery tours, and personal recommendations, a lot of folks still choose their vino merely by the look of the label. Typography is all important here. Clos Du Bois® avoids new-agey gimmicks and goes for pure elegance with classic Friz Quadrata™, Sackers Gothic™, and Bickham Script™ (currently only available offline — contact us).

From: http://www.fontshop.com/virtual/newsletters/aug2006_a/?utm_source=Aug2006NewsA&utm_medium=email&utm_content=ViewInBrowser&utm_term=em&utm_campaign=Aug2006

Clos Du Bois bottle

Clos Du Bois bottle

Summary: Clos Du Bois bottle
From: http://www.fontshop.com/virtual/newsletters/aug2006_a/?utm_source=Aug2006NewsA&utm_medium=email&utm_content=ViewInBrowser&utm_term=em&utm_campaign=Aug2006

note - Wed, 09 Aug 2006 05:19:29 GMT

Kettle® bags are graced with type as crunchy as the potato chips they contain. MVB Emmascript™ and rough serifs similar to FF Trixie®, FF Elementa®, Compendio™, MVB Celestia Antiqua™, Grit Primer™, and ITC Founder’s Caslon™ emphasize the natural, handmade appeal of the product.

From: http://www.fontshop.com/virtual/newsletters/aug2006_a/?utm_source=Aug2006NewsA&utm_medium=email&utm_content=ViewInBrowser&utm_term=em&utm_campaign=Aug2006

Kettle package

Kettle package

Summary: Kettle package
From: http://www.fontshop.com/virtual/newsletters/aug2006_a/?utm_source=Aug2006NewsA&utm_medium=email&utm_content=ViewInBrowser&utm_term=em&utm_campaign=Aug2006

note - Wed, 09 Aug 2006 05:19:21 GMT

There are few food identities as recognizable as Tazo®. Tea wasn’t very hip until the mid-’90s when tea master Steve Smith came along with his “Marco Polo meets Merlin the Magician” concept. The foundation of this antiquarian style is the Tazo logo — based on Jonathan Barnbrook’s Exocet™. Antique types Nicolas Cochin™ and Nuptial Script™ complete the look.

From: http://www.fontshop.com/virtual/newsletters/aug2006_a/?utm_source=Aug2006NewsA&utm_medium=email&utm_content=ViewInBrowser&utm_term=em&utm_campaign=Aug2006

Tazo package

Tazo package

Summary: Tazo package
From: http://www.fontshop.com/virtual/newsletters/aug2006_a/?utm_source=Aug2006NewsA&utm_medium=email&utm_content=ViewInBrowser&utm_term=em&utm_campaign=Aug2006

note - Wed, 09 Aug 2006 05:19:14 GMT

Simply Organic’s® packaging lives up to its name. The clear glass bottle is adorned only with its logo (a carefully customized ITC Giovanni™) and feel-good copy (in Sabon™), revealing the product’s natural goodness.

From: http://www.fontshop.com/virtual/newsletters/aug2006_a/?utm_source=Aug2006NewsA&utm_medium=email&utm_content=ViewInBrowser&utm_term=em&utm_campaign=Aug2006

Simply Organic package

Simply Organic package

Summary: Simply Organic package
From: http://www.fontshop.com/virtual/newsletters/aug2006_a/?utm_source=Aug2006NewsA&utm_medium=email&utm_content=ViewInBrowser&utm_term=em&utm_campaign=Aug2006

note - Wed, 09 Aug 2006 05:19:06 GMT

Izze Beverage Co®. doesn't boast their nonprofit mission on their label, but the design’s simplicity hints that they are a different kind of company. Izze’s sales grew 450% per year over the first two years without any TV, print, or online advertising. Surely their success is due in part to the bottle — clearly branded with Trade Gothic™ caps and a clever use of a Caslon™ asterisk, emulating a cross-section of the fruit contained therein.

From: http://www.fontshop.com/virtual/newsletters/aug2006_a/?utm_source=Aug2006NewsA&utm_medium=email&utm_content=ViewInBrowser&utm_term=em&utm_campaign=Aug2006

IZZE package

IZZE package

Summary: IZZE package
From: http://www.fontshop.com/virtual/newsletters/aug2006_a/?utm_source=Aug2006NewsA&utm_medium=email&utm_content=ViewInBrowser&utm_term=em&utm_campaign=Aug2006

note - Wed, 09 Aug 2006 05:18:52 GMT

This week, FontShop takes a trip to the supermarket in search of palatable packaging. Among the shelves cluttered with superfluous drop shadows and chaotic typography, it was easy to spot the few beautiful boxes. These packages are proof that good type can make anything look delectable — even puffed corn or sugar water.

From: http://www.fontshop.com/virtual/newsletters/aug2006_a/?utm_source=Aug2006NewsA&utm_medium=email&utm_content=ViewInBrowser&utm_term=em&utm_campaign=Aug2006

Tasty Type

Tasty Type

Summary: Tasty Type
From: http://www.fontshop.com/virtual/newsletters/aug2006_a/?utm_source=Aug2006NewsA&utm_medium=email&utm_content=ViewInBrowser&utm_term=em&utm_campaign=Aug2006